I’m going to go ahead and revisit Doctor Who now that we’ve got the series over with. (There will be mild spoilers this time.) On a personal like or dislike level, I still fully love the new tone and direction of the show. So I was a bit surprised when I came across a number of critiques on the season’s showrunner, Chris Chibnall. Of the most common complaints I saw, one was that there weren’t enough callbacks to the previous seasons or Doctor Who lore, and the other was that the show felt small. The later I thought was hilarious because that is one of the biggest reasons I love the new season. So let’s go ahead and look at these two issues and see what they mean for Doctor Who.
I’ve added a donation button to my website for anyone who would like to show their appreciation for the stories and articles I write. Any donations help me offset the cost of this website as well as all the various functions of life as an aspiring author. Even a dollar or two can help. Thank you to all who consider donating.
Doctor Who is back and I can’t be more thrilled. I love Doctor Who and was excited for the new season for so many reasons. One obviously was that Jodie Whittaker was going to be the Doctor, and that was historic for the show overall. (She killed it, by the way.) But even more than that, this was going to be the first episode and season without Steven Moffat as showrunner. And so, this gives me a chance to talk about an aspect of world building that I haven’t touched on much before: tone.
Mind Candy Too is officially available for purchase on Amazon. It includes my short story “Sandy.”
“Sandy” is about the life of a woman with minor super powers, the ability to make someone experience the memories and feelings of another person, in a world of superheroes.
Support the anthology and buy one today!
During the Writer’s Digest Annual Convention, I had the privilege to talk with Theresa “Soni” Guzmán Stokes, Executive Director of the Historical Writers of America. During our conversation, I said that world building as I see it is fictional anthropology. There are so many things that interact and affect each other when creating a new culture that sometimes get overlooked by fantasy and sci-fi writers because they don’t look at their world like an anthropologist would a new culture to study. So let’s take a look at just a fraction of the things to think about when creating a new culture, and how everything around them can be interdependent with the culture.
I’ve been preparing for a while now for the upcoming Writer’s Digest Annual Conference, at which I’ll be pitching my novel (set in the same world as my story “Spies and Taboos”). One of the questions in the numerous “How to Pitch to an Agent” type articles has always been a bit difficult for me to answer, not because I had no answer, but because I had too many. It took quite a while for me to come up with a concise answer that I actually felt reflected my own writing. So I wanted to discuss the question What kind of writer are you? and why the answer really is important.
For the last year or so I’ve been actively working toward my goal of becoming a full active member of the Science Fiction and Fantasy Writers of America and this last week I’ve received confirmation that I’d been accepted.
This is a big step forward toward my goal of becoming a successful author and I can’t wait to move forward to my next writing challenge!
Recently, my friends and I were looking for a new multiplayer game to play together. We found a free game on the PS4 called Tera and figured we’d give it a try until we decided on a new game to buy. We lasted all of two hours or so before the overall gameplay was so horrendous we all promptly deleted the game. But the biggest criticism started long before we made it to the actual game. I’m going to pop back to a topic I’ve mentioned before, and will probably cover again—Women’s Fashion.
In my last post about women’s fashion in fantasy and sci-fi art and games, I rallied for giving women decent support and not defaulting to boob armor. It’s a pet peeve of mine. But what Tera offered was so terrible that I actually texted my friend that I was tempted not to play on principle.
We did end up playing, and a great deal of the initial amusement that kept us going as long as we did was from joking about each new horrible outfit the women ended up with, especially since we had a group of men and women and so saw the perfectly acceptable and sometimes the utterly over-dressed men. (At one point I was convinced men in this world were stealing all the clothes so the women were left with nothing.)
Let me show you some examples. Be warned, these are not safe for work.
Recently, I was listening to the Stuff to Blow Your Mind podcast and came across an episode on aphantasia, which really got me thinking about how we visualize our worlds. Mainly because I connected quite a bit with what they described. Aphantasia is where a person is not able to visualize imagery in the “Mind’s Eye.” As I write fantasy and science fiction, things that literally no one has seen before, I found it very interesting that I saw many aphantasic tendencies in my own visualization process. So, let’s take a look at what that means.
Today I want to look at the world of one of my favorite recent games. And, yes, I am using the word recent rather loosely here. But seeing as I only got it late last year and have played it twice since then, I’m going to count it as recent. And since it has been out for more than a year, I’m going to spoil a few things during this review, though not too much.